He was later deserted by Gallon and left to fight Sheolab, a dangerous spider alone (Tolkien 42). For instance, Frodo hid Gollom’s advice of leaving his best friend Sam behind. At some point, Frodo became corrupt in order to choose the correct path. This is the moment when Frodo accepted to face trials such as fighting orcs, undergoing physical challenges such as climbing mountains, and coping with the powers of the ring that took him over slowly, which made him never let it go. The hero now has a determined commitment and cannot turn back. He goes through the special world of adventure of crossing the first threshold. Crossing the First ThresholdĪt this stage, the hero has now agreed that he has to face his quest. Gandolf prepared Frodo for his journey but eventually left him to face his adventure alone (Eaglestone 51). In “The Lord of the Ring”, the main mentor is in the character of Gandalf, as he teaches Frodo a lot. The relationship, for instance, of the teacher and student as a symbolic representation is a theme that is common in mythology. Meeting with the MentorĪt this stage, the main characters of the mentor have already been introduced in many stories. Gandolf is seen teaching Frodo on many occasions in the journey (Eaglestone 51). Some of the fellowship acted as Frodo’s mentor however, Gandalf ultimately was the main mentor to Frodo. The fellowship accompanied and followed Frodo in his journey. He requires help in form of an event or mentor to keep him on the journey like Frodo was accompanied by a fellowship when he took the initiative of destroying the ring. ![]() The hero is facing the fear of the unknown and is not fully convinced that he has to leave his ordinary world. Refusal of call in the hero’s journal reveals that the hero is always reluctant to leave or refuses to follow the call. Willingly, accepts to deliver the ring for destruction after much controversy (Tolkien 41). When Gandalf realized that Frodo was in possession of the ring, he tells him to accompany him to attend a meeting at Rivendell to make a decision as to who will deliver the ring to Mount Doom for destruction. In the “The Lord of the Ring” film, Frodo is requested to destroy the ring. The call to adventure determines the goal of the hero. Call to AdventureĪccording to Vogler (1998), the comfort of the ordinary world is challenged the hero is presented with an adventure to undertake a problem to solve (15). In the film, “The Lord of the Ring”, the threshold of the tale happens when Frodo accepts the duty of destroying the ring after much controversy (Tolkien 41). After portraying the hero in his ordinary surrounding the tale takes him out of this mundane world into a new special world. Often, it involves a descent into hell in order to come to a revelation and return to ordinary life. ![]() Ordinary WorldĪs a common archetype in every film, the hero’s journey commences with the introduction of a character that must undergo a series of tribulations. ![]() These stages of the Hero’s Journey include the ordinary world call to adventure the refusal of call meeting with the mentor crossing the first threshold tests, allies, enemies approach to the inmost care ordeal reward (seizing the sound) the road back resurrection and return with the elixir. In this paper, “The Lord of the Ring” film has been used to identify the stages of the “Hero’s Journey” notes and common archetypes. Vogler’s twelve stages of “The Hero’s Journey” can be identified in all kinds of episodes, even though the author is not always aware of them (Vogler 15). However, the hero in a good story adjusts and grows during this journey. Learn more The Twelve Stages of the Hero’s Journeyĭespite its variations, the new myth is always a journey of the heart or the mind.
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